Sunday, March 22 marked the sixth and final day of the 29th annual South By Southwest (SXSW) Music Festival in Austin, Texas.
Due to rain, the BBQ and Softball Tournament, the only event scheduled for the day was cancelled. I used this unfortunate opportunity to rest, sleep, and reflect on my inaugural SXSW.
2015 Grulke Prize Winners
With several hundred artists and bands performing at SXSW, it was impossible to see everyone I wanted to, even if I sprinted from venue to venue and didn’t wait in line for anything. Just thinking about scheduling all these performances makes my head hurt (kudos to whoever does it).
Without further or do, I regret to have missed the following performances:
- Alvvays – The first indie band that I’ve ever saw predominantly referred to as jangle pop.
- Future Islands – Nuff said.
- HEO – Dream-pop band from South Korea reminds me a lot of Asobi Seksu.
- Leon Bridges – Current music darling, just a tad behind Kendrick Lamar and Courtney Barnett.
- Marina And The Diamonds
- Oh Land
- Seinabo Sey
- Son Lux
- The Acorn – This Canadian indie folk band has always had me with its 2007 LP Glory Hope Mountain.
- The Knocks – This New York City electronic music duo has been creating and remixing music for practically forever (listen to “Dancing with the DJ” and “Modern Hearts”).
- Viet Cong – Post-punk quartet from Canada has been lighting up the college radio airwaves for the past few months.
First Timer’s Guide
SXSW provides a First TImer’s Guide for the festival. I glanced at it before I went, but nothing screamed READ ME. Having popped my SXSW cherry, I decided to review the guide to see what applied.
- Pack for Every Occasion – Comfortable shoes are a must
- Driving/Transportation Options – Driving is more than useless in downtown since many streets around the Convention Center were closed, including much of 6th Street. I became very intimate with the bus schedule, but I regret using the plentiful pedicabs on more than one occasion.
- SXSW GO App – It’s an indispensible smartphone app, but networking features on it were nonexistent since it didn’t sync with SXsocial, the festival’s social networking tool.
- Make a Schedule – Since I wanted to cram a lot of activities into my day, scheduling my time was a must.
- Pace Yourself – YES!
I wish there was a locker station so that you could temporarily unload some personal items during the day. I’m not sure how popular it would be, but I could have used some place to store some heavy items during some of my many rest periods rather than trudge with them.
I wish performances had been scheduled more evenly throughout the day. There were many tents and independent showcases, but many weren’t identified in the SXSW Go app and thus dependent on you knowing about them.
I also wish there were more signs, especially for venues that had more than one entrance and more than one stage. It’s an easy way to eliminate confusion and help get patrons (e.g., customers) where they want to be.
I’ve written much about the festival, but here are random and out-of-context tidbits gathered throughout the week that didn’t fit what I previously wrote, yet should be preserved nonetheless.
- Many panelists generally acknowledged that millennials have a strong BS detector. Proceed accordingly.
- Many panelists also generally acknowledged how amazing Soundcloud is.
- Currently, playlists are the most popular form of music curation.
- Some part of MTV still cares about promoting and showcasing emerging artists/bands.
- Snoop Dogg: “I always write for the people.”
- Jim DeRogatis (Sound Opinions) did not like Father John Misty’s new album I Love You, Honeybear.
- I have no idea what lucky person ended up with the kangaroo balloon at the end of Courtney Barnett’s final festival performance at the Radio Day Stage.
- Also, I got a response to my inquiry about Barnett’s possible record of eight performances in a single week. Elizabeth Derczo, SXSW Music Publicist, replied that “8 performances throughout the week really isn’t close to being a record and is not that uncommon.” Kudos to those artists/bands.
- Bob Boilen (Host/Creator of NPR’s All Songs Considered) polled the audience about the interest in seeing or listening to full live performances on NPR. The audience leaned more toward listening to live shows, which is relatively easy to record than visual shows.
Thanks to Canon Professional Services (CPS) for the courteous cleaning of my Canon DSLR and lenses.
Thanks to Joy of Hands of Joy for the relaxing and much-needed shoulder massage.
Given the high cost of attending SXSW, I think it’s more than worth it. For networkers, it’s a no-brainer for the level of access to many industry movers and shakers (i.e., networking and company plugs). For music fans, the ease of meeting many speakers and potentially seeing many artists and bands up-close is quite extraordinary, although die-hards can probably still see them on stage and around the city for a fraction of the music badge’s price. Free alcohol is also easy to obtain, especially during the day (but please remember to tip your bartender).
That said, book your lodgings early, use public transportation, and be prepared to have fun.
Note: Originally published on Blogcritics.